Codes and Conventions
Codes and
conventions are used in all films to help subvert/conform to stereotypes and
give understanding to the audience. They are important in films because they
combine together to form a recognisable device for analysis. They provide the
audience with specific rules which are followed across each separate genre,
allowing the audience to assign a common reading or meaning, helping them
understand. The purpose of most films is for the audience to understand and
enjoy the plot, so the codes and conventions are typically are usually easy to
decode. Some codes and conventions need to be learnt to gain the maximum
understanding, however over time the audience find these devices useful and
recognisable.
Codes - signs which create meaning for the audience. These codes can be divided into sub-groups of: Technical Codes, Audio Codes, Written Codes and Symbolic Codes. These all supply the audience with connotations and denotations which conform and subvert to stereotypes.
Conventions - the
accepted ways of doing something, there can be general conventions of a medium,
however most importantly they are genre specific and show what the audience
expect to see in a film.
Technical
Codes - these are the ways of which equipment is
used to tell the story, linking to the technical elements of the film: camera
shots, camera angles, lighting, framing, layout, perspective and camera
movement.
Audio
Codes - this refers to the sounds which the audience hear in the film:
dialogue, music and sound effects.
Written
Codes - this links to any written words which are present in the film:
headings, subheadings, logos, labels, font and size, placement of the writing
and signs.
Symbolic
Codes - these codes are anything which has a symbolic meaning and shows what
is beneath the surface of what is displayed to the audience: juxtaposition of
characters/objects, lighting, use of colour, feelings/emotion, equality and
stereotypes.
In our film, we aim
to provide the audience with a range of all of the codes and conventions for
our chosen genres - thriller, action and crime. We want the audience to gain
maximum enjoyment and understanding, as well as making the film as professional
and realistic as possible. To do this, we are going to focus on specific
features of the technical codes, such as camera angles and shots as well as the
movement of the camera. We believe the technical codes will play the largest
role in our opening two minutes as to gain both realism and professionalism; we
must include numerous different shot types without breaking continuity, which
means we must give specific attention to the movement of the camera. So far, we
have enlisted in a tripod with the aim to produce stability and we are
currently discussing how to achieve movement in the best way.
For our specific
film, there is little audio in the form of dialogue, which means we will need
to give specific attention to both the diegetic and non-diegetic sounds of the
film, as well as the music. Music will play a large role due to the lack of
dialogue, meaning we must do some in-depth investigation into the music we use
to achieve a successful effect. From filming the very beginning of our film, we
have learnt that many things do not go according to plan. One of these is that
the diegetic and non-diegetic sounds of the background are hard to hear, or out
of time, meaning we may need to find an alternative way of recording the sound,
and the edit it together with the visual - something we had not even taken into
consideration before.
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